News

Adam Basanta – Upcoming performances – May 2011

Adam Basanta has several upcoming performances of his electroacoustic works:

– May 5th, 2011: “a glass is not a glass”, South American premiere.
Fundacion Destellos’ Cycle of Sonic Art. Hall of Cultural Space Los Gallegos of Mar del Plata, Argentine.
http://www.fundestellos.org/pageone.htm

– May 7th, 2011, 2pm: “montreal, part I”, a rare presentation of an experimental soundscape work.
As part of NAISA’s Deep Wireless festival event “Jane’s Walk Soundscape Concert, a Translocal Performance”. The NAISA Space #252, Toronto, ON.
http://www.naisa.ca/deepwireless/Performances.html

– May 27th, 2011. “a glass is not a glass”, Mexican premiere, attended by the composer with travel assistance from The Canada Council for the Arts.
As part of JTTP2010 winners concert presentation. CMMAS, Morelia, Mexico.

Adam Basanta is a research assistant at matralab.

DareDroid at Elektra Festival in Montréal, May 5-7, 2011

On May 5, 6, and 7, 2011, the Modern Nomads showed the DareDroid at Elektra Festival in Montréal, QC.

The DareDroid is a line of biomechanical dresses using medical technology, custom hardware and human behaviour to explore themes of intimacy and human-robotic social interaction. Each human model and robotic dress collaborate to offer willing players a ‘gift’ in exchange for a game of ‘Truth or Dare’. This robotic performance entices participants to playfully transgress their standards of behaviour in public spaces, and invert their social norms by publically revealing personal information.

Modern Nomads (MoNo), the creator of DareDroid – is a three-person international artist group.

· Marius Kintel is a hacker, tinkerer, and engineer based in
Vienna Austria.
· Jane Tingley is a Canadian artist in sculpture, responsive
installation, and sound.
· Anouk Wipprecht is a Dutch fashiontech designer of wearable
electronics and hydraulics.

Jane Tingley is the matralab coordinator.

Amelia Cuni – Cosmopolitan Ragas – May 9, 2011

Amelia Cuni, an internationally acclaimed dhrupad singer, has been working with Sandeep and the matralab team on “Native Alien“, a current research project that looks at the possibilities of Human/Computer Improvisation in a compositorial perspective – how can a performer/composer and an improvising computer system interact to produce musically interesting and meaningful comprovisations?

On Thursday May 9th, Amelia Cuni will speak about her own work between tradition and modernity in North Indian music. The talk will be from 3-5 pm in the Concordia Music Department (MB Building 8th floor, follow the signs).

Amelia Cuni will share her experiences and insights of a 30-year long journey between cultures.

As a young Italian lover of Indian music, she spent a decade in India to learn dhrupad singing and kathak dance with some of the most respected exponents of the Hindustani tradition. During the 90s, she started applying experimental procedures to dhrupad vocalism in a new music context, while interacting with musicians and composers from various backgrounds (Terry Riley, Maria de Alvear, Werner Durand, David Toop a.o.) She has presented her own artistic projects in Europe, Asia and America and collaborates in the fields of early and new music, electro-acoustic, chamber music, electronica, jazz, multimedia etc. She teaches Indian singing at the Conservatory of Vicenza (Italy), lives in Berlin, Germany. Her interpretation of John Cage’s SOLO 58 (the microtonal ragas – SONG BOOKS, 1970) has been co-produced by several European and American new music venues.

In her presentation, Amelia will introduce and demonstrate the main features of a traditional dhrupad performance and some of her own raga-based compositions and collaborations as well. Over the years, she has developed a teaching method rooted in the tradition while addressing contemporary issues. In this session, she will offer the participants the opportunity to experience directly a raga’s unique personality within a system of oral transmission.

This talk is open to anyone (no RSVP). Bring friends.

We will stay on in the room afterwards for snacks and drinks and conversations with Amelia.

http://ameliacuni.de/

Video: Zata Omm @ matralab (July, 2010)

Last summer (July 6-15, 2010), Zata Omm Dance Projects, a contemporary dance company based in Toronto, visited the matrabox for a one-week residency. Zata Omm’s objective is to create new experiences in dance with choreographic works by artistic director William Yong, and their research explores the relationship between new technology and live contemporary dance (Zata Omm Dance and Technology Research Laboratory). matralab research associates Navid Navab and Jerome Delapierre worked as a technological specialists for the project.

The following video is an excerpt from their research at matralab last July.

Navid Navab and Jerome Delapierre are matralab research associates.

Miyagi Haikus

Over the past weekend, matralab director Sandeep Bhagwati composed “17 Miyagi Haikus” in response to the disasters in Japan.

17 solo pieces, but – they can also be played unisono by many – or combined to form ensemble works. First performances on April 1 at the “TAMUKE – Offerings for Japan” Event (see http://matralab.hexagram.ca/tamuke/ ).

But if anyone is interested to play them at similar events in Montréal or elsewhere, just contact matralab@gmail.com and we will send you the PDF score.

Sandeep Bhagwati is the director of matralab

手向け TAMUKE Offerings for Japan Offrandes pour le Japon

matralab is currently leading the effort in collaboration with the Sociéte des Arts Technologiques (SAT) to organize an artistic vigil at the SAT on April 1 (this Friday) from 8pm to 3am.

Many Montreal artists, prominent and emerging, will be contributing performances and readings.Some of them have written new works for the occasion.

More info and a list of participants at http://matralab.hexagram.ca/tamuke/

And come and join the event.

Adam Basanta @ CLIEC – March 26, 2011

Adam Basanta will be performing an improvisation for laptop, nintendo Wii and iPod touch at the Concordia Live and Interactive Electroacoustic Colloquium (CLIEC) 2011 – a one day colloquium focusing on issues surrounding the marriage between electroacoustics and the performing and media arts.

Saturday March 26th
19:30-21:30
Concordia Music Department
MB Building, 8th Floor
1450 Rue Guy
Montreal, QC H3H 0A1

more info: http://cliec2011.hexagram.ca/

Adam Basanta is a research assistant at matralab.

Plant(iPod)Installation @ Estevan Gallery

Jane Tingley’s “Plant(iPod)Installation” opened in Estevan Gallery in Estevan, Saskatchewan on March 4th, 2011. The show will remain open until April 30, 2011.

For images of the installation go to janetingley.com > projects > Plant(iPod)Installation> image gallery. Or view them on Flickr: http://www.flickr.com/photos/janetingley/5510113927/in/set-72157622522788256/.

Jane Tingley is the matralab coordinator.

Alien Lands Reviews on CetteVilleEtrange.org

The performance of Sandeep Bhagwati’s “Alien Lands” at the Festival Montreal Nouvelles Musiques has elicited elaborate written reactions.

Please read here (in French) the reviews and reports by Michel Gonneville and Patrick Saint Denis:

http://www.cettevilleetrange.org/?p=247
http://www.cettevilleetrange.org/?p=244

Sandeep Bhagwati is the director of matralab.

A Matter of Life & Breath: March 9-12, 2011

Michal Seta has collaborated on the interactive aspects of this piece choreographed by Roger Sinha.
See official flyer at this link

SINHA DANSE / Roger Sinha
Agora de la danse
March 9-10-11 \ 8 PM + March 12 \ 4 PM
840, rue Cherrier E., Mtl · (514) 525-1500

Michal Seta is a research associate at matralab.