Papers by Sandeep Bhagwati

Von Sternen, Klängen, Küssen und Übersetzungen.

Vortrag beim Symposion ARC-­‐PHONO, Université de Quebec à Montreal, 14 September 2012

Composing One’s Home – Illusions of Noise and Silence

A short, very personal account of my sonic background as a composer between India and the West
published by pro helvetia foundation in 2007

Composing through Shadows – Conceptual Layers in “Inside a Native Land” and “Vineland Stelae”

Paper read at the conference “Faire Oeuvre – Transparence et Opacité” (Quebec City, May 2008) (will be published in proceedings, still in press)

Strategies for the Identity-Challenged

Public Lecture in the Defiant Imagination series at Concordia University, Feb 1, 2007 (unpublished)

Neue Musik in Indien ?

Lecture at the Universität der Künste Berlin, November 2006 (unpublished, in German)

Orchestras beyond the iPod

English version of a research statement published in French in Guide des Tendances 2009, Montréal, Isabelle Quentin editeur

Stepping on the Cracks or: How I compose with Indian music in mind

published in World of Music, 2004

Towards Interactive Onscreen Notations for Comprovisation in Large Ensembles

published in the Proceedings of the Symposion for Systems Research in the Arts and Humanities, Baden-Baden/Germany and Windsor/Canada 2008

Wilhelm Killmayer, Artist of the Air

Program Notes for a Portrait Concert in Turku/Finland 2009 (draft only)

Meistern, Warten, Vergessen, Finden – 12 Bedingungen für intermusikalische Zusammenarbeit: Ein Vademecum

published in Soukous, Kathak und Bachata, Limmat Verlag, Zürich 2004

Wenn der Schuh drückt. Erinnerungen an die Zukunft des Exils, der Heimat und des Komponierens

Program Essay for Maerzmusik Festival 2004 Berlin

Babel Revisited (Text in German)

a fake review of a book I never wrote, in the manner of Stanislaw Lem, published in the Proceedings of the 51st Spring Session of the Darmstadt Institute for New Music

Image in Music / Image n’ Music / Imagine Music (German Text)

Lecture at the ZKM Karlsruhe in the context of the ICONOCLASH exhibition 2002
written for a general lay audience.

Komponieren im globalen Zusammenhang

Public Keynote Lecture opening the 2006 Heidelberg Biennale for Contemporary Music

Neue Musik ist tot

response to a question about the future of New Music by the German journal Musik&Aesthetik (Stuttgart 2003)